Half the Sky – Yin Mei Dance

Half the Sky
Yin Mei Dance (New York, New York)
Tuesday, March 31, 2026
7:30–8:30 pm
Brendle Recital Hall, Wake Forest University
Free Admission; Open to the Public
Renowned dancer and choreographer Yin Mei presents her latest work, Half the Sky, an evening-length dance and visual performance rooted in the language of the body, responding to enduring mythologies surrounding women across generations. It features Marie Lloyd Paspe, Ching-I Chang, Jie-Hung Connie Shiau, and Yin Mei, with a music score created and performed by composer/sound designer Christian Frederickson.
How does a woman inhabit her own body? How can she claim ownership of it in the shadow of history—if that is even possible?
It then extends the inquiry: in what ways can art and movement heal or simply acknowledge all the ghosts that inhabit this body?
Half the Sky merges dance, projection, and installation art into a choreographic and visual act of reclamation: rescuing the “blank page” from blankness. It’s a laboratory for “becoming”, where there is room for the unexpected moment to strike through space and time, leading to the breakthrough of true creative power. Yin Mei explores how the “becoming” of sensation must happen in an unexpected moment, a moment of silence where the body’s unspoken histories surface.
This project was presented at the Asia Society New York, supported by MAP Fund, RF CUNY, New England Foundation for the Arts National Dance Project Finalist, Baryshnikov Arts, and Danse Mirage Foundation.
Additional Events in the Series
Guest Lecture
Prof. Yin Mei, CUNY–Queens College
“Artist, Body, Rupture in Warped Time”
Wednesday, April 1, 2026
5:00–6:30 pm
ZSR Auditorium (Room 404)
Guest Lecture & Demonstration
Prof. Yin Mei, CUNY–Queens College
“Wellness through Dance and Somatic Education”
Thursday, April 2, 2026
5:00–6:00 pm
Benson 409
This series of events was organized by the Department of History and East Asian Studies Minor Program and made possible by generous grants from the Blaisdell Fund, Wake The Arts Center, the Provost Office of Global Affairs, the National Endowment for the Humanities and the Wake Forest University Humanities Institute together: Democracy Demands Wisdom, and the James P. Geiss & Margaret Y. Hsu Foundation, as well as the support and contributions from the following sponsors: Departments of History, Theater and Dance, EALC, WGS, Art, Politics and International Affairs, EAS Minor, the Women’s Center, Intercultural Center, BiMoo Chinese Theater Group, CSSA, A.S.I.A., Chinese Culture Club, and SAF. Any views, findings, conclusions, or recommendations expressed in this performance do not necessarily represent those of the National Endowment for the Humanities or other sponsoring organizations and programs.
For further information, please contact Dr. Qiong Zhang at the Department of History (zhangq@wfu.edu).
“Ms. Yin Mei is a dancer of exquisite lyricism and delicacy…. one distilled memory to another, not illustrating them but evoking their emotions in passages of shimmering, pensive and abrupt movement.”
New York Times
Visiting Artists:

About Yin Mei
Yin Mei is a dancer, choreographer, and educator whose work bridges cultures, histories, and artistic disciplines. She is Professor of Dance and Director of Graduate Dance at Queens College, City University of New York. Raised in China, she was a principal dancer with the Hong Kong Dance Company before coming to New York City through a fellowship from the Asian Cultural Council. She earned her B.A. and M.F.A. from the Tisch School of the Arts at New York University, and a M.A. in Media Studies from Queens College.
Yin Mei’s interdisciplinary practice explores the intersection of Chinese cosmology and Western contemporary performance aesthetics and ethics, integrating dance, visual art, installation, live cinema, and sound. Her ongoing research project, The Inner Technology of Knowing, investigates embodied knowledge as both methodology and system, positioning the body as archive, medium, and site of transmission.
She is a recipient of a fellowship from the John Simon Guggenheim Memorial Foundation, the Fulbright Program, and the Asian Cultural Council. She is a Choreography Fellow of the New York Foundation for the Arts and has twice been nominated for the CalArts Alpert Award in the Arts. Her work has been supported by the National Dance Project, the Rockefeller MAP Fund, Live Music for Dance, the New York State Council on the Arts, the National Endowment for the Arts, and other leading cultural institutions.
Her major works include Half the Sky (premiered at Asia Society), City of Paper (Jacob’s Pillow Dance Festival), Peony Dreams: On the Other Side of Sleep (La MaMa Experimental Theatre Club and The Ringling Museum of Art), Nomad the River (Jacob’s Pillow), /Asunder (Dance Theater Workshop, UCLA, Yerba Buena Center for the Arts), Empty Tradition / City of Peonies (Asia Society; Jacob’s Pillow; New York City Center Fall for Dance Festival), Farewell My Concubine(Poly Theatre, China), Seven Sages in Bamboo Grove (Hong Kong Dance Company), and Nixon in China at the Théâtre du Châtelet.
Yin Mei is Founder and Artistic Director of YINMEIDANCE, through which she develops and tours her original creations throughout the United States and internationally. She is also founding and leading the first BFA contemporary dance program in China at the Jackie Chan Film and Media Academy at the Wuhan Institute of Design and Sciences.
For more on her work, see: https://www.qc.cuny.edu/academics/dtd/yin-mei-critchell/

Yin Mei Dance
Yin Mei Dance is an interdisciplinary contemporary dance company based in New York City. The company was formed in 1995 and presents a unique dance style employing Chinese energy directions and principles as a means of creating dance works within the rubric of contemporary dance theater.
Yin Mei’s work explores themes of artistic and spiritual significance arising at the intersection between Asian traditional performance and Western contemporary dance. Yin Mei Dance has toured across the USA, Asia, and Europe in venues including Jacob’s Pillow, Yerba Buena, Lincoln Center, The City Center, DTW, La MaMa, Movement Research at Judson Church, Théâtre du Châtelet Paris, National Theater of Beijing and Nanjing, and many others.
Dancers
Marie Lloyd Paspe
Marie Lloyd Paspe is a Filipina-American dance artist, singer, and choreographer, merging ancestral memory and futurity in building worlds. Her work has been presented at national and international venues, including Harlem Stage, Lincoln Center, MASS MoCA, and more. She is a 2026 NYSCA Grantee, 2025 NEFA National Dance Project Finalist, and 2025–26 TOPAZ ARTS Resident Artist.
Ching-I Chang
Ching-I Chang is a dance/dream conceptual maker, curator, performer, and listener. Her interdisciplinary work centers subaltern voices and has been presented at Yuz Museum, Queens Museum, MOCA, Harlem Stage, DraftWork and more. She co-directs the Inter-grant Festival and is a 2025 NY Individual Artist Finalist, Create Change Fellow, and 2024–25 TOPAZ ARTS AAPI Artist in Residency.
Jie-Hung Connie Shiau
Jie-Hung Connie Shiau is a dancer, choreographer, and teacher raised in Tainan, Taiwan. Shiau has choreographed works for Hubbard Street Dance Chicago, the New Choreographer Project in Taipei, SUNY Purchase College, Little Island Dance Festival, and Summer for the City at Lincoln Center, among others. As a performer, she has worked with companies including Hubbard Street Dance Chicago, A.I.M by Kyle Abraham, Gallim Dance, Gibney Company, and Kevin Wynn Works. She currently performs with Brian Brooks Moving Company, Hélène Simoneau Danse, Robyn Mineko Williams & Artists, Peter Chu’s Chuthis, and Obremski/Works. She was also a Fall 2025 Artist in Residence at Baryshnikov Arts Center, and her dance films have been recognized by Dance on Camera and several international dance film festivals.
Composer / Musician
Christian Frederickson
Christian Frederickson is a violist, composer, and sound designer specializing in performances with live music. He was a founding member of Rachel’s, an instrumental band from Louisville, KY who released six albums on Touch and Go Records between 1995 and 2003 and toured widely in the US and Europe. As a solo artist he has released seven albums since 2010. Frederickson was trained as a classical musician and has taught at the Massachusetts Institute of Technology since 2019.
Collaborating partners
- Blaisdell Fund
- Wake The Arts Center
- Provost Office of Global Affairs
- National Endowment for the Humanities
- Wake Forest University Humanities Institute
- James P. Geiss & Margaret Y. Hsu Foundation
- WFU Department of History
- WFU Department of Theater and Dance
- WFU Department of East Asian Languages & Cultures
- WFU Department of Women’s, Gender, and Sexuality Studies (WGS)
- WFU Department of Art
- WFU Department of Politics and International Affairs
- WFU East Asian Studies Minor
- WFU Women’s Center
- WFU Intercultural Center
- BiMoo Chinese Theater Group
- Chinese Students & Scholars Association
- A.S.I.A. (WFU Asian Student Interest Group)
- WFU Chinese Culture Club
- SAF (Student Activity Fee)
Categories: Art, Dance, Music, Theatre, Uncategorized, WTA Center