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Half the Sky

Yin Mei Dance (New York, New York)

Tuesday, March 31, 2026
7:30–8:30 pm
Brendle Recital Hall, Wake Forest University

Renowned dancer and choreographer Yin Mei presents her latest work, Half the Sky, an evening-length dance and visual performance rooted in the language of the body, responding to enduring mythologies surrounding women across generations. It features Marie Lloyd Paspe, Ching-I Chang, Miho Ryu, and Yin Mei, with a music score created and performed by composer/sound designer Christian Frederickson.

How does a woman inhabit her own body? How can she claim ownership of it in the shadow of history—if that is even possible?

It then extends the inquiry: in what ways can art and movement heal or simply acknowledge all the ghosts that inhabit this body?

Half the Sky merges dance, projection, and installation art into a choreographic and visual act of reclamation: rescuing the “blank page” from blankness. It’s a laboratory for “becoming”, where there is room for the unexpected moment to strike through space and time, leading to the breakthrough of true creative power. Yin Mei explores how the “becoming” of sensation must happen in an unexpected moment, a moment of silence where the body’s unspoken histories surface.

This project was presented at the Asia Society New York, supported by MAP Fund, RF CUNY, New England Foundation for the Arts National Dance Project Finalist, Baryshnikov Arts, and Danse Mirage Foundation.


Additional Events in the Series

Guest Lecture
Prof. Yin Mei, CUNY–Queens College
“Art, Gender, and Politics in Mao’s China”
Wednesday, April 1, 2026
5:00–6:30 pm
ZSR Auditorium (Room 404)

Guest Lecture & Demonstration
Prof. Yin Mei, CUNY–Queens College
“Wellness and Healing through Dance”
Thursday, April 2, 2026
5:00–6:00 pm
Benson 409

This series of events is made possible by generous grants from the Blaisdell Fund, Wake The Arts Center, the Provost Office of Global Affairs, the National Endowment for the Humanities and the Wake Forest University Humanities Institute together: Democracy Demands Wisdom, and the James P. Geiss & Margaret Y. Hsu Foundation, as well as the support and contributions from the Department of History and the following cosponsors: Theater and Dance, EALC, WGS, Art, Politics and International Affairs, EAS Minor, the Women’s Center, Intercultural Center, BiMoo Chinese Theater Group, CSSA, A.S.I.A., and Chinese Culture Club. Any views, findings, conclusions, or recommendations expressed in this performance do not necessarily represent those of the National Endowment for the Humanities or other sponsoring organizations and programs.

For further information, please contact Dr. Qiong Zhang at the Department of History (zhangq@wfu.edu).


“Ms. Yin Mei is a dancer of exquisite lyricism and delicacy…. one distilled memory to another, not illustrating them but evoking their emotions in passages of shimmering, pensive and abrupt movement.”

New York Times

About Yin Mei

Yin Mei is Professor of Dance in the Drama, Theatre, and Dance Department and Director of the Dance Program at Queens College, CUNY. An acclaimed choreographer and dancer, Professor Yin has received numerous national grants and fellowships, including a Guggenheim Fellowship for Choreography, support from the Rockefeller Foundation Multi-Arts Production Fund, and awards from the National Endowment for the Arts. Growing up in Maoist China, Professor Yin was trained in traditional Chinese dance and Peking opera and began her professional career at the age of fourteen with the Henan Provincial Song and Dance Troupe. She later became a principal dancer with the Hong Kong Dance Company. A grant from the Asian Cultural Council enabled her to come to the United States to study contemporary Western dance. She earned both a BA and an MFA from New York University and subsequently established her artistic career in New York. As a director, choreographer, and visual artist, Professor Yin is widely described as “category-defying,” a sensibility shaped by her personal history and cross-cultural journey. Her work bridges geographic, technological, artistic, and cultural divides and forges a distinctive movement language that integrates Chinese energy direction and spatial principles into contemporary theater. Through this approach, she explores artistic and spiritual themes at the intersection of Asian traditional performance and Western contemporary dance.

For more on her work, see: https://www.qc.cuny.edu/academics/dtd/yin-mei-critchell/  and https://www.yinmeidance.org/general-9

Collaborating partners

  • Blaisdell Fund
  • Wake The Arts Center
  • Provost Office of Global Affairs
  • National Endowment for the Humanities
  • Wake Forest University Humanities Institute
  • James P. Geiss & Margaret Y. Hsu Foundation
  • WFU Department of History
  • WFU Department of Theater and Dance
  • WFU Department of East Asian Languages & Cultures
  • WFU Department of Women’s, Gender, and Sexuality Studies (WGS)
  • WFU Department of Art
  • WFU Department of Politics and International Affairs
  • WFU East Asian Studies Minor
  • WFU Women’s Center
  • WFU Intercultural Center
  • BiMoo Chinese Theater Group
  • Chinese Students & Scholars Association
  • A.S.I.A. (WFU Asian Student Interest Group)
  • WFU Chinese Culture Club

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